Sarah Knill-Jones

" Mon travail est une réponse viscérale et humaine au monde dans lequel nous vivons. Je construis des liens entre l'acte de création et la visualisation qui en résulte ; ce sont des expériences imprévisibles qui oscillent entre l’éphémère et le concret. Le lien latent entre la substance même de la peinture et le corps est au cœur de ma pratique, que je développe à travers la performance, la photographie, la gravure, la vidéo, les projets collaboratifs, mais surtout, et toujours par la peinture. "

Biographie

Sarah Knill-Jones est originaire de Londres et actuellement basée à Paris. Elle est résidente chez POUSH Manifesto, incubateur d'artistes à Aubervilliers.  

Expositions personnelles

2015
The (Dis-)appearing Woman, Museum of Modern Art, Baku, Azerbaidjan
2010
Perceptions, MiM Centre of Contemporary Art, Baku, Azerbaidjan
2008
Metamorphosis, Sting, Stavanger, Norvège

Expositions collectives

2023

- Insights Inside, Blossom Art Agency, Annecy, France

2022

- Wander Lines, Blossom Art Agency, Rue Saint Claude, Paris
A Cable I Have No Knife to Cut, Exposition en duo avec Boryana Petkova, commissariat d'Alexandre Colliex, Poush Manifesto, Clichy, France
2020
- This Year’s Model, Studio 1.1, Londres, UK
2018
- ‘Kif-Kif’ Exercices de reproductivité collaborative en expérimentation picturale avec Nina Rodin
2017
- Despina Residency Projects, Rio de Janeiro, Brésil
- This Year’s Model, Studio 1.1 London, UK
2016
Editions, Tripp Gallery, London (en collaboration avec Nina Rodin)
Looking Up, Studio 1.1, Londres, UK
- Open Exhibition, Royal Scottish Academy, Edinburgh, Écosse
- Art Converters, Studio 1.1, Londres, UK
2014
This Year's Model, Studio 1.1, London UK
- Art Converters, Studio 1.1, London, UK
- Threadneedle Prize Exhibition, Mall Galleries, London
2013
- Contemporary Miniature, Maison Européenne, Baku, Azerbaidjan
- Caspiy, Caspian Biennale Convention, Centre d'Art Contemporain, Baku
2012
Variable Control/Control Variable, Expérimentation picturale collaborative avec  Nina Rodin, MiM Centred'Art Contemporain, Baku, Azerbaidjan
- Visual Poetry, Kempinski, Baku, Azerbaijan
2011
Control Condition, Expérimentation picturale collaborative avec Nina Rodin, Slade School of Fine Art, Londres
2010
- Precious Little, St. Martin-in-the-Fields, London
WMD Weapons of Mass Destruction, MiM Centre d'Art Contemporain, Baku, Azerbaijan
- MA Fine Art Show, Camberwell College of Art, London AutoItalia, London
2009
Metamorphose, Islington Arts Factory, Londres
Within Limits, Kingsgate Gallery, Londres
2008
Over Easy, Lauderdale House, London

Résidences

2019
Proyecto ‘Ace, Buenos Aires, Argentine
2017 Septembre - Octobre
Despina Residency, Brésil
2014
Trelex Residency, Suisse
 

Presse & Éditions

Caucasus Art Mag, Issue 1, Janvier 2013
Visual Artbeat magazine, Septembre 2012
Marmite Painting Prize Catalogue, 2010

Prix

2014
Threadneedle Prize, finaliste
2012
- Short list Beers Lambert Award for Emerging Artists

Collections

Musée d'Art Moderne, Baku, Azerbaidjan
Victoria & Albert Museum, Contemporary Textiles Archive, Collection publique 
Université de Northampton

The fine line between the imaginary and the real

The fine line between the imaginary and the real - G071

Shipwreck beach

Shipwreck beach - G072

We are more ourselves when we are in tune with others

We are more ourselves when we are in tune with others - G073

Bond

Bond - G075

Vendu

I too was once a little girl

I too was once a little girl - G076

Life at the edge of impossible

Life at the edge of impossible - G074

Blue Rage

Blue Rage - G070

I don’t know how to give myself over to disorientation

I don’t know how to give myself over to disorientation - G002

La passion selon G.H

La passion selon G.H - G001

So the darkness too was alive

So the darkness too was alive - G003

My fear was of hearing a truth that I’d come not to want

My fear was of hearing a truth that I’d come not to want - G004

No sound and yet I distinctly felt an emphatic resonance, which was that of silence chafing against silence

No sound and yet I distinctly felt an emphatic resonance, which was that of silence chafing against silence - G012

I lost that third leg

I lost that third leg - G013

The miracle is the note in between

The miracle is the note in between - G022

The continual breathing of the world is what we hear and call silence

The continual breathing of the world is what we hear and call silence - G019

Forgiveness is an attribute of living matter

Forgiveness is an attribute of living matter - G031

Because I haven’t told everything

Because I haven’t told everything - G052